"Faulconer" Score's Internal War

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Published 2023-07-06

All Comments (21)
  • @magnesium3273
    Why can't companies listen to people that know what's best for the product.
  • @BertoPlease
    No one can possibly reject cat purring, big brain
  • Something that didn't bother me as a kid but does now. Is the insistence on letting scenes breath. Just like moments where characters get to just not talk.
  • @mechajay3358
    Kudos to Morgan for sticking it to Funimation and using as little music as possible.
  • @ShakerSilver
    Silent moments seemed to have been a foreign concept to Funi during the original dub, what with the forcing of music at all times and added lines (offscreen talking or internal thoughts)
  • that was actually kinda cool. sometimes a mandate can feel like a vice grip slowly closing in on you. but sometimes it forces creativity and leads to genuinely interesting results such as the scene demoed here.
  • @Magabes_
    Scott Morgan and Mike Smith made some bangers man.
  • The score the dub came up with gives the series a whole different feel, a darker and more gritty sci-fi one, and on the whole it works really well. If only they had some more freedom on where and where not to place the music.
  • I kind of like the feel of it. Like impending doom is coming any second now. Like the first few beats of the prowler's theme or Finn Balor's demon theme in WWE
  • @gandalfgrey91
    The guy they hired to make music was like “there should be no music”
  • @Tonba1
    You know you fucked up when the dudes scoring a scene are telling you to keep it quiet
  • Scott Morgan was the best thing to come out of the Funi dub. Main head behind all the best tracks.
  • @Wignut
    Trunks: Oh great, now the Geth are showing up.
  • @Xavier-do6ty
    That'd be a pretty fucking nasty growl in a dubstep track. My God that sounds sick.