Haydn: Missa in Tempore Belli/ Leonard Bernstein/ BRSO ハイドン：戦時のミサ　バーンスタイン　バイエルン放送響

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Published 2021-01-23
ハイドン：ミサ曲第7番　戦時のミサ ハ長調 Hob.XXII:9
ジュディス・ブレーゲン(ソプラノ)
ブリギッテ・ファスベンダー(アルト)
クラーエス=アーカン・アーンシェ(テノール)
ハンス・ゾーティン(バス)
レナード・バーンスタイン
バイエルン放送交響楽団
バイエルン放送交響合唱団
1984年 ドイツ オットーボイレン大聖堂バジリカ教会

Haydn: Missa in Tempore Belli (Mass in Time of War) C Dur Hob. XXII/9
Judith Blegen (S) Brigitte Fassbender(A)
Claes H. Ahnsjo(T) Hans Sotin (B)
Chor und Symphonieorchester des Bayerischen Rundfunks
Leonard Bernstein
1984, The basilica, Benedictine abbey, Ottobeuren, Germany

00:43 Kyrie
06:16 Gloria
18:26 Credo
30:16 Sanctus
33:16 Benedictus
40:26 Agnus Dei

#haydn #ハイドン
All Comments (17)
  • @franzeybler1499
    The Benedictus shows how the old Haydn could also compose in this sort of mozartian long breath structures. What a piece ❤
  • @leoperarm
    Bernstein understood Haydn so well. This Credo is a masterpiece, especially the final movement. Those violins may well be singing a text themselves. - I am convinced that Haydn at this point was producing some of the best music ever written.
  • @arturobusetto4243
    Il qui tollis rappresenta l'apice della musica liturgica cattolica. Solo chi ha fede può comporre un capolavoro insuperabile come questo.
  • @antonionadales3047
    Es una preciosidad de misa, con un Kirie impresionante. Toda la obra desprende la angustia por la circunstancia que fue compuesta.
  • @fabiograssi670
    This is one of Haydn's most puzzling works, insofar all the slow sections are absolute masterpieces, the fast sections being less convincing. Haydn builds the Kyrie as a standard sonata form 1st mov. of symphony with a slow introduction, like the Kyrie of the Heiligmesse. After these two attempts he will abandon such a cold rigid approach in the following four masses to get a great original achievement with the Kyrie of the Harmoniemesse, the last one.
  • @patekswiss9521
    Lovely to see that Bernstein chose to spend time on this marvelous work. And proof again that the conductor really does make the difference. Love the stately tempo of the Credo, for instance. Perfectly suitable for this grave, glorious work. So many performances of it are rushed and breathless, which does not suit at all.
  • @WinrichNaujoks
    Always happy Haydn, always in a major key, never mind war and distress, it's all good.
  • @fabiograssi670
    As for the sow section of the Gloria, it is a pre-Rossinian incredible proof of the asemanticity of the music...