Nymphes - Tiny Synth | HUGE Analog Sound

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Published 2022-03-09
I'm honestly confused how they made a 6 voice analog poly this small. 🤔
Other gear used in this video: link.perfectcircuit.com/t/v1/S0BERUlFSUBFR0VGRkdAT…

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âš¡Those lovely custom acoustic panels in the background: psyacoustics.com/

#synthesizer #musicproduction #synthwave

Timestamps brought to you by Kellogg Frosted Flakes: "They Are Great"
0:00 - Intro
4:00 - Oscillators, Filters, you know
7:00 - More advanced modulation
8:15 - WHAT. A. SWEEP.
8:56 - Let's add a MIDI Looper
11:20 - Let's add a drum machine
13:09 - Acid failure
14:45 - Wrap it

All Comments (21)
  • @moistpeanut5986
    What is amazing to me is they gave us 6 voices. There have been too many 4 voice synths, that not enough for a traditional 2 hand chord voicing. As a pianist having 6 is the very minimum every poly synth should have. And the size is just a huge plus too, most 6+ voice synths are usually huge.
  • @Doodsrsly
    Every time Benn releases a new quality cheap gear review, I look over at my Moog semi-modular set up, push it with a twig , and say, come on do a flashbulb
  • @lburger404
    Those demos were gold! Also I loved both the green screen with you on top of the synth and the new angle of you in the studio. Great stuff, keep it coming!
  • @michaelkonomos
    I had ruled out the Nymphes based on watching other videos, but watching your explorations changed my mind. You approached this from a very different standpoint. You tried to make this thing your own, instead of obsessing about how close ot a Juno you could make it. You did some cool, experimental modulations, like with the lfo subtly affecting the frequency that nobody else bothered with. And you just made it SOUND different. I SO appreciate this video. Liked and subscribed.
  • DAMM YOU for making this sounds so good. I had convinced myself that the menu divey/knob twisty UI was overly complex and I wasn't interested in this synth but you showed it's actually pretty simple. It sounds so good. Nice demo
  • It’s always nice to see when someone knows what the heck they’re doing how easy they make look. Awesome stuff, Benn!
  • @alison_synths
    Dreadbox sells a usb power/data splitter for the Nymphes on their website ;)
  • @dartqrman
    the demos are actual gold jesus christ
  • @Zetaphor
    I don't know the first thing about music creation/production, he makes it look so easy and fun. Every demo was a potential hit track. I subscribed because someone linked a video on reddit and everything is interesting and well produced.
  • @mauchkimberly
    Just dropping a note to say thanks for the great demo for this synth. I've been researching this and the dominant topic, where this machine is concerned, has been the menu structure. Your demonstration has put that information into perspective...and this synth sounds great to me. Most appreciated.
  • @eriklee909
    Great work as always! Some good potential jams in there as well :)
  • @themetamorph
    Superb video,that synth looks and sounds great in your hands. Your video editing and presentation is so engaging and alluring! Fans self 😜
  • You’re channel is awesome man. So precise and knowledgeable. And funny
  • @NEOREV_MUSIC
    Dreadbox are selling a USB splitter for the Nymphes on their store for pretty cheap. Also, Tim Shoebridge built a cool software controller plugin that works as a module inside Cherry Audio Voltage Modular. He made an extra module that lets other Cherry Audio modules control parameters on the Nymphes.
  • @ringsystemmusic
    Okay, I love the tiny Benn on top of the Nymphes. Next level editing
  • @disectormusic
    Was waiting to find your review on it 😅 usually a casual , non boring review is what i go for!
  • @TheNimasan
    yestarday, i heard the nymphes at my local store and it really sounds amazing. this is in my opinion the best nymphes demo! well done, benn!
  • @Drumsdude123
    Your video is pure pleasure!! Synths, Reverb, playing!!) Absolutely awesome
  • I find it very motivating to watch these creation episodes. Thanks once again.