Everything Wrong With Interstellar, Featuring Dr. Neil deGrasse Tyson

Here's another sin removal: on the water planet, the soundtrack in the background has a prominent ticking noise. These ticks happen every 1.4 seconds. Each tick you hear is a whole day passing on Earth.

The only wrong thing with this movie is, it didnt win Oscar

you can tell cinema sins was really reaching in this one; no one can deny this movie was an absolute masterpiece

One thing that strikes me is that he only asks about his daughter when he wakes up. Not about his son. He doesn't even ask Murph about him. Poor kid...

The reason his voice is scratchy is due to sand in his lungs.

I missed watching this in a theatre. My biggest sin.

A movie over 3 hours long and only had 104 sins. That's how you KNOW it was a masterpiece.

IM SO GLAD THEY REMOVED A SIN FOR THE CRYING SCENE... IT BREAKS MY HEART EVERY TIME AND HE DOES THE SCENE SOOOO WELLL

But seriously, the scene with him watching his messages from his kids was the closest a movie has ever gotten me to crying.

I think this is the most sins they ever removed

At 13:34, it's shown in a prior scene that Mann removes his long-range transmitter from the back of his helmet and throws it. Later when Cooper is struggling to breathe he crawls to it and reattaches it.

This movie is iconic. It's in the same category with Shutter Island, Inception, Dark Knight, Tenet and Prestige. I can watch them many times.

I could not agree more about the scene where he saw his kids age 23 years in an instant being absolutely heartwrenching. If I had to go thru that, I would cry like I've never cried before. Very powerful scene.

Dr Neil deGrasse Tyson: hi Cinemasins: removes sin

12:51 On programming something to recognize danger, there's ways robots can respond but theres also ways they very specifically cannot respond. Let's say "x" is a robot. X can usually regulate temperature unless its fan is blocked, then user must clear blockage to prevent overheating. There's no way for you to program a "clear the blockage" directive because "blockage" is unspecified internally and externally. There's no way to register exactly how it will be blocked or exactly how it should be cleared. Maybe it's iced over, maybe it's gummed up by tar. Each has a unique cause and solution, which the robot would need to identify before fixing. Unless you programmed every eventuality in the world for it to recognize and respond to, a normal robot wouldn't respond to the unregistered/unidentified problem and thus could be destroyed through something super simple it didn't expect. Say it knew about ice but not tar, then something unknown and tarry hits the cooling vent 2 seconds into the mission. Now its overheating thousands of miles away with nobody to fix it. If a human is there, it can find a way to clean the tar off and maybe add programming about the new unknown tar after. So its not necessarily "the fear of death" rather a robots lack of ability to appropriately, and spontaneously, respond to multiple forms of an unknown lethal force.

It’s always entertaining going back to this video during college(specifically for engineering) and finding myself repeating in my head all the things this movie actually got right when Jeremy tries to sin them before Tyson actually can offer the rebuttals to remove said sins, especially when as a young teen watching this I found myself immediately agreeing with Jeremy only to (about a year later) be astonished at watching this video and hearing all the reasons why it’s not fake. That amazement is why I’m working in engineering so that I can work with and help update the advanced technology that always astounded me growing up.

More appropriate title: CinemaSins rags on Interstellar while Neil deGrasse Tyson defends the movie

You can’t write a note, the film explains he can only affect gravity across the dimensions. Plus HE DOESN’T HAVE A PENCIL AND PAPER

2001 A Space Odyssey is looked at more as a piece of art. Interstellar is going to be remembered as an experience. Literally every aspect of this movie, whether its the acting, direction, cinematography, the editing, the sound design, THE MUSIC, set design, and writing(debatable)...is firing on all cylinders. It represents the peak of filmmaking. Seriously, if you sat down and really thought about "what" this movie is about, like really thought about all its themes, all its layers of depth and what its trying to say, your gonna come to only one conclusion. Its about Everything. I remember seeing this movie in IMAX on the first day of release, planned it perfectly to make sure i got there early to get center seats and not too close to the screen. Right after Cooper pleads to Dr. Mann not to dock and then Mann blew himself up, Cooper accelerates towards the Endurance and Dr. Brandt then asks Cooper what he's doing, and he just says..."docking" (Cue Hanz Zimmer's score). I lost my shit in the theater, I got goosebumps and literally leaned forward and audibly said pretty loudly "what...the...fuck!?!". As the scene went on I remember thinking, Nolan... you crazy bastard , you just cranked the intensity up to a 10. Then the music tipped it over to an 11. That moment, that sequence with that music and the sound just blasting. Sensory Overload...I will never forget the experience

5:04 didnt cooper station end up near saturn when cooper finally arrived? im assuming humanity in the milky way continued evolving at that station and was able to create the wormhole there, which is why it's near saturn. seems odd to consider that a sin, i think its a pretty cool detail